But I’m super bummed in that it was very fun. Devastated I would like to reserve for non-career disappointments. For it to go to pilot, much less series, much less 57 episodes, is pretty incredible. It was the first television show I ever pitched. The people that I want to love the show love the show in a way that I could never have necessarily imagined when I went out to pitch it. TVLINE | As far as crushing disappointments go, where does this one rank?ĬASPE | For me, the show’s a gigantic success. I wouldn’t be surprised if they’re like, “Is there one more last call we can make to pull this off?” GROFF | Sony took the lead on this and was really great about pounding the pavement. The truth is, how many shows have moved networks ever? It’s very difficult to do, and there’s probably some financial algorithmic reason for that that I don’t even understand. But there were ongoing talks with a lot of places. We don’t know the specifics that’s all sort of above our pay grade. TVLINE | Were there any other serious suitors in the mix?ĬASPE | I think there were. It sounded like it would have been hard for them to do everything they wanted to do in terms of development. GROFF | I think USA, to their credit, really wants to be in the business of making original programming. TVLINE | The talks with USA Network - how close were you to a deal?ĬASPE | It was as close as it could come without happening.
HAPPY ENDINGS SHOW FULL
The Rookie: Feds Picked Up for (a True) Full Season at ABC RELATED | Renewal Scorecard: What’s Coming Back? What’s Cancelled? What’s on the Bubble?
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